The Mummy Tomb of the Dragon Emperor the Mummy Here We Go Again
The Mummy | |
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Directed by | Alex Kurtzman |
Screenplay by |
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Story past |
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Produced by |
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Starring |
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Cinematography | Ben Seresin |
Edited by |
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Music by | Brian Tyler |
Production |
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Distributed past | Universal Pictures |
Release dates |
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Running time | 110 minutes[ane] |
State | United States |
Language | English language |
Budget | $125–195 million[two] [3] |
Box office | $410 million[4] |
The Mummy is a 2017 American fantasy activeness-chance motion picture[5] directed by Alex Kurtzman and written by David Koepp, Christopher McQuarrie, and Dylan Kussman, with a story by Kurtzman, Jon Spaihts, and Jenny Lumet. A reboot of The Mummy franchise as part of Universal's scrapped Dark Universe series,[half dozen] it stars Tom Prowl every bit U.S. Army Sergeant Nick Morton, a soldier of fortune who accidentally unearths the ancient tomb of entrapped Egyptian princess Ahmanet (Sofia Boutella). Annabelle Wallis, Jake Johnson, Courtney B. Vance, and Russell Crowe also star.
The Mummy premiered at the Land Theatre in Sydney, Commonwealth of australia, on May 22, 2017, and was theatrically released in the United states of america on June 9, 2017, in 2nd, 3D, and IMAX 3D.[7] It received generally negative reviews from critics and despite grossing $410 million worldwide, it was estimated to have lost the studio equally much as $95 million. Intended to kickstart the Nighttime Universe, an endeavour to create a modernistic cinematic universe based on the archetype Universal Monsters film series, the film's poor box office performance led to the initial discontinuation and counterfoil of the Dark Universe due to its negative reception. At the 38th Gilt Raspberry Awards, information technology was nominated for eight awards, including Worst Movie and Worst Director for Kurtzman, winning one for Worst Thespian for Cruise.[8] [ix] [10]
Plot [edit]
In nowadays-day London, construction workers discover the tomb of a crusader knight who was buried with an Egyptian red in AD 1127. In Republic of iraq, U.S. Regular army soldiers Sergeant Nick Morton and Corporal Chris Vail detect the tomb of Princess Ahmanet, who attempted to summon the deity Fix. She was defenseless and mummified alive. They and archaeologist Jenny Halsey fly Ahmanet'southward sarcophagus to United kingdom of great britain and northern ireland, unknowingly bringing Ahmanet back to life.
During the flight, Chris is possessed by Ahmanet through a spider that flake him and attacks the others, only to exist killed past Nick. A murder of crows set on the plane, causing it to crash, killing the crew except Jenny, who escapes by a parachute Nick gives her.
Nick returns to life in a morgue. Chris' ghost appears and tells him he has been cursed by Ahmanet who seeks to apply him as a vessel for Set. Ahmanet's mummy escapes from the sarcophagus and begins feeding on people to regenerate her body, turning them into zombies. She recovers the Dagger of Set and attempts to stab Nick, before realizing that the ruby is non attached to it. She and her ground forces hunt after Nick and Jenny until soldiers appear and subdue her.
The soldiers' leader, Dr. Henry Jekyll, explains that Jenny is an agent of Prodigium, a secret society dedicated to hunting supernatural threats. Nick and Jenny observe that Jekyll intends to allow Set to possess Nick completely, believing that this will render Set vulnerable.
Jekyll transforms into Eddie Hyde. Nick stops him with a serum that Jekyll invented for this purpose, assuasive Nick and Jenny to escape. Ahmanet finds them, regains the dagger, summons many crusader zombies, and creates a large sandstorm in London. The crusader zombies impale the Prodigium soldiers and Ahmanet recovers the ruby, combining information technology with the dagger in order to gratis Set.
Guided by Chris' ghost, Nick and Jenny flee into the London Clandestine, where they are attacked past Ahmanet's zombies. Ahmanet captures Jenny and drowns her. When Nick is brought to Ahmanet, he sees Jenny'southward body, and the zombies plow to grit. Nick is injured when he tries to assault Ahmanet and he lets her cover him equally a ruse to steal the dagger and shatter the ruby. He strikes the pommel of the dagger against the floor, cracking the ruby, but Ahmanet reminds him that the dagger could grant him the ability to reverse expiry. Instead of destroying the precious stone, he stabs himself and is possessed by Set up. Nick goes to Ahmanet as Gear up begins to have over, simply on remembering the words of Jenny and Jekyll, he regains control, turning on Ahmanet and using Set up's powers to extract her life-force. Struggling against Set, Nick also resurrects Jenny. Knowing that the Prodigium are coming for him, he says goodbye to Jenny and vanishes.
As Ahmanet is sealed back in her tomb, Jenny and Jekyll wonder whether Nick, now fused with Set, will use his powers for skilful. Nick returns to the desert and resurrects Chris. The 2 go on to a new adventure.
Cast [edit]
- Tom Cruise equally Nick Morton,[11] a U.S. Regular army sergeant.
- Sofia Boutella equally Ahmanet, the title character.[12] [13] She is loosely based on Imhotep from the original Mummy films, every bit well every bit the ancient Egyptian goddess, Amunet.
- Annabelle Wallis as Jennifer "Jenny" Halsey, an archaeologist.
- Jake Johnson equally Chris Vail,[a] Nick'south friend and closest ally.
- Courtney B. Vance equally Colonel Greenway,[xiv] Nick and Chris's superior officer.
- Russell Crowe as Dr. Henry Jekyll / Mr. Edward Hyde.[15] [16]
- Marwan Kenzari every bit Malik,[17] [18] Jekyll's chief of security and a member of Prodigium.
- Javier Botet equally Set,[xix] the ancient Egyptian god of death.
Production [edit]
Development [edit]
Universal Pictures start announced plans for a modern reboot of The Mummy franchise in 2012.[20] [21] The project went through multiple directors, with Len Wiseman leaving the project in 2013,[22] and a second manager, Andrés Muschietti, in 2014.[23] [24]
Tom Cruise began talks about playing the pb in November 2015,[25] with Sofia Boutella beginning talks that Dec. Gwen Stefani, Jamie Chung, Lindsey Stirling and Brooke Shields were also considered.[thirteen] Kurtzman cast Boutella afterwards seeing and being impressed past her largely mute operation in Kingsman: The Secret Service. Kurtzman noted that "if you look at her eyes, and this is what I got from watching Kingsman, there's a whole performance going on here. And in not saying anything but conveying that much to me, I idea oh my god, no thing how much prosthetics we put on her, no affair how much CG we put on her face, if I see this, she'due south going to convey something very emotional to me."[26] Other casting news was appear between March and May, with Russell Crowe joining during the latter month.[xxx]
Shortly later on the film opened, Multifariousness reported that Cruise had excessive command over the movie and house control of almost every aspect of production and post-production, including re-writing the script and editing to his specifications, telling Kurtzman how to straight on set, and enlarging his role while downplaying Boutella'due south. Universal contractually guaranteed Cruise control of about aspects of the project, from script approval to post-production decisions. In a argument, Universal denied that Prowl had a negative influence on the production, "Tom approaches every project with a level of commitment and dedication that is unmatched past virtually working in our business today," the argument read. "He has been a true partner and artistic collaborator, and his goal with any project he works on is to provide audiences with a truly cinematic moviegoing experience."[31] Kurtzman said about the picture in a 2019 interview that, "The Mummy wasn't what I wanted it to exist. I'm no longer involved in that and have no idea what's going on with it. I expect dorsum on it now [and] what felt painful at the time ended up existence an incredible blessing for me."[32]
Filming [edit]
Principal photography on the film began on April 3, 2016, in Oxford, U.k..[33] [34] Filming on the picture show concluded on July 17, 2016, in London.[35] Product so moved to Namibia for ii weeks, with principal photography wrapping up on August 13, 2016.[36]
For the filming of the airplane crash the production fabricated utilize of The Vomit Comet and parabolic flight to simulate the illusion of weightlessness.[37] The crew did a total of 64 takes with many of the crew condign sick to their stomachs.[38] [39] Initially Kurtzman planned to shoot the scene entirely using wires and a rotating ready, however Cruise'southward insistence inverse his listen.[twoscore] [41]
Post-production [edit]
Erik Nash was the film'southward visual furnishings supervisor. MPC was the top contractor, with over 1,000 effects plates.[42] Industrial Light & Magic and DNEG also contributed to key sequences.[43] [44]
Music [edit]
Composer Brian Tyler started work on the music for the movie early, writing about a half hour of music before filming even began. Working on the film for a year and half, Tyler recorded with an 84-piece orchestra and 32-vocalization choir at London's Abbey Road. He ultimately wrote and recorded over two hours of music, which, given the length of the film (110 minutes), resulted in a soundtrack album longer than the film itself.[45]
Release [edit]
Initially scheduled for a 2016 release,[46] [47] the film was released in the United States and Canada on June 9, 2017, with international roll out beginning the same day. The motion-picture show was screened in various formats, such as 2D, 3D, and IMAX 3D.[7] [12]
On December 20, 2016, IMAX released a trailer with the wrong audio track fastened; this unintentionally prompted the creation of memes and video montages featuring the mistakenly included audio rails, which was missing most of the sound effects and instead featured Tom Cruise'south grunts and screams.[48] IMAX reacted by taking down the trailer and issuing DMCA takedown notices in an effort to end it from spreading.[49] [ failed verification ]
Reception [edit]
Box role [edit]
The Mummy grossed $lxxx.2 one thousand thousand in the United states of america and Canada and $329.8 one thousand thousand in other territories for a worldwide total of $410 1000000.[4] Due to a combined production and marketing cost of $345 million, it was estimated the motion-picture show needed to gross $450 meg in order to break-even, and ended up losing the studio between $60–100 million.[three] [50]
In North America, the film was released alongside Information technology Comes at Night and Megan Leavey and was originally projected to gross $35–forty million from iv,034 theaters in its opening weekend.[51] Nonetheless, after making $12 million on its first day (including $2.66 million from Thursday night previews), weekend projections were lowered to $30 meg.[52] It ended upwardly debuting to $31.7 1000000, marking the lowest of the Mummy franchise and finishing second at the box office behind Wonder Woman ($58.2 one thousand thousand in its 2d week). Deadline Hollywood attributed the picture show'southward underperformance to poor critic and audition reactions, every bit well every bit "blockbuster fatigue."[53] In its second weekend the motion picture made $14.5 million (dropping 54.2%), finishing fourth at the box office.[54] It was pulled from 827 theaters in its 3rd week and fabricated $5.8 million, dropping another lx% and finishing sixth at the box office.[55]
Outside Northward America, the film opened in 63 overseas territories, with People's republic of china, the United kingdom, Mexico, Frg, Ireland, Commonwealth of australia, New Zealand, Brazil and Russian federation receiving the pic the same day every bit in Due north America, and was projected to debut to $125–135 million.[56] It opened on June half-dozen, 2017 in Due south Korea and grossed $6.vi one thousand thousand on its first day, the biggest-e'er debut for both Tom Prowl and Universal in the state.[57] It ended up having a strange debut of $140.7 meg, the biggest of Cruise'due south career. In its opening weekend the film made $52.4 million in People's republic of china, $vii.four 1000000 in Russia, $4.9 1000000 in United mexican states and $4.2 million in the Great britain.
Disquisitional response [edit]
The Mummy received generally negative reviews from critics, with criticism aimed at its narrative tone, acting, and plot points setting upwardly the Night Universe.[58] On Rotten Tomatoes the film holds an blessing rating of 16% based on 310 reviews, with an average rating of 4.22/x. The website's critical consensus reads: "Lacking the campy fun of the franchise'southward near recent entries and failing to deliver many monster-film thrills, The Mummy suggests a speedy unraveling for the Dark Universe."[59] On Metacritic, the movie has a weighted average score of 34 out of 100, based on 44 critics, indicating "by and large unfavorable reviews".[60] Audiences polled past CinemaScore gave the film an boilerplate course of "B−" on an A+ to F scale, while PostTrak reported filmgoers gave it a 70% overall positive score.[61]
Vince Mancini of Uproxx gave the picture a negative review, writing: "If you like incomprehensible collections of things that vaguely resemble other things you might've enjoyed in the past, The Mummy is the moving-picture show for you."[62] IndieWire's David Ehrlich gave the film a D−, calling it the worst film of Prowl's career and criticizing its lack of originality, proverb: "It'due south one thing to excavate the iconography of sometime Hollywood, it's another to exploit it. This isn't filmmaking, it'due south tomb-raiding."[63]
Owen Gleiberman of Diverseness wrote: "The trouble at its heart is that the reality of what the pic is—a Tom Prowl vehicle—is at war with the material. The actor, at 54, is still playing that former Cruise trope, the selfish cocky semi-scoundrel who has to abound upward. ... The problem is that Cruise, at least in a high-powered potboiler like this one, is so devoted to maintaining his image as a clear and wholesome hero that his flirtation with the dark side is near entirely theoretical."[64] Writing for Rolling Rock, Peter Travers gave the film one star out of four, proverb: "How meh is The Mummy? Permit me count the ways. For all the huffing and puffing and digital desperation from overworked computers, this reboot lands onscreen with a resounding thud."[65]
Glen Kenny of RogerEbert.com gave the film one.5/4 stars, writing: "I found something almost admirable near the film's cheek. It's [and so] amazingly relentless in its naked borrowing from other, meliorate horror and sci-fi movies that I was able to keep occupied making a checklist of the movies referenced."[66] Entertainment Weekly 's Chis Nashawaty wrote that the pic "feels derivative and unnecessary and like information technology was written past committee."[67]
In BBC Globe News Culture, Nicholas Hairdresser calls the film "a mish-mash of wildly varying tones and plot strands, from its convoluted beginning to its shameless non-end. Tom Cruise'south new flick barely qualifies equally a picture show at all. None of information technology makes sense. The film delivers all the chases, explosions, zombies and ghosts y'all could enquire for, and there are a few amusing lines and creepy moments, just, betwixt the headache-inducing flashbacks and hallucinations, the narrative would be easier to follow if it were written in hieroglyphics."[68]
Peter Bradshaw of The Guardian wrote that the film "has some squeamish moments but is basically a mess. The plot sags similar an aeon-onetime decaying limb, a jumble of ideas and scenes from what look similar unlike screenplay drafts," and ended that "It's a ragbag of action scenes which needed to be bandaged more tightly."[69] Empire moving picture magazine was more positive, with Dan Jolin awarding the movie iii stars. "It's running and jumping grin-flashing concern as usual for Cruise, once more on safe character territory equally an Ethan Hunt-esque action protagonist who couples upward with a much younger adult female, while another woman chases later him," he wrote. "And if the side by side installment-teasing determination is anything to go by, Cruise seemed to accept enough fun making this that he may only return for more."[seventy]
In 2022, director Alex Kurtzman commented that the motion-picture show is "probably the biggest failure of [his] life" and that there's "most a meg things I regret about information technology". All the same, he noted that the job gave him more experience and noesis as a filmmaker.[71]
Accolades [edit]
Year | Award | Category | Subject | Result | Ref. |
---|---|---|---|---|---|
2018 | Golden Raspberry Awards | Worst Picture | Sarah Bradshaw, Sean Daniel, Alex Kurtzman, Chris Morgan | Nominated | [72] [73] |
Worst Managing director | Alex Kurtzman | Nominated | |||
Worst Thespian | Tom Prowl | Won | |||
Worst Supporting Actor | Russell Crowe | Nominated | |||
Worst Supporting Actress | Sofia Boutella | Nominated | |||
Worst Screenplay | David Koepp, Christopher McQuarrie, Dylan Kussman | Nominated | |||
Worst Prequel, Remake, Rip-off or Sequel | Nominated | ||||
The Razzie Nominee So Rotten You Loved It | Nominated |
Other media [edit]
Two video game based on the film, The Mummy Demastered and The Mummy: Dark Universe Stories, was released on Oct 24, 2017. The former is a Metroidvania featuring a stand-alone story, which takes identify meantime with the events of the film and follows Prodigium soldiers under the command of Dr. Jekyll who fight the forces of Princess Ahmanet, while the latter is a choose-your-own adventure game ready later on the events of the flick, establishing the original Universal Monsters films as existing in its canon; dissimilar the motion-picture show, both video games received positive reviews.[74] A manga series set meantime with the film, The Mummy: Dark Stories, was released by GANMA! from July 15 to July 29, 2017.[75]
Cancelled Franchise [edit]
The film was part of Universal Pictures' Dark Universe, an attempt to create a modern cinematic universe based on the classic Universal Monsters film series.[76] A remake of Helpmate of Frankenstein, with Angelina Jolie under consideration for the atomic number 82, was originally scheduled for release on Feb xiv, 2019,[77] but on October 5, 2017, Universal decided to postpone information technology to allow more piece of work to exist washed on the script.[78] The 2014 movie Dracula Untold was originally considered to be the first movie in the series; nonetheless, since the film's release, the connection to the Dark Universe was downplayed, and The Mummy was re-positioned as the get-go picture show in the series.[79] [eighty] [81] On May 22, 2017, the official Dark Universe Twitter account posted an prototype with Tom Prowl, Sofia Boutella, Johnny Depp, Javier Barden, and Russell Crowe standing together. [82] The picture was revealed to exist photoshopped, and none of the bandage of the Dark Universe was actually together when it was taken. [83] By 2019, Universal announced plans to return to standalone features instead of using a shared film narrative, effectively ending the Dark Universe before it even began due to the film's negative reception.[84]
Notes [edit]
- ^ Jake Johnson's character is listed as Sgt. Vail in the closing credits, but is called Corporal Vail by Morton in the scene where they talk with Greenway.
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External links [edit]
- Official website
- The Mummy at IMDb
- The Mummy at AllMovie
Source: https://en.wikipedia.org/wiki/The_Mummy_(2017_film)
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